reviews
Gramophone
Ivan Moody
The rather anodyne name Concerto for Mixed Chorus, intended to convey
a conscious link to similarly named works by Bortnyansky and other composers,
actually conceals a work with tremendous depths of faith and feeling,
and a masterpiece of choral writing building firmly on the Russian sacred
tradition. The text comes from deeply penitential religious poetry by
Grigor Narekatsi, a 10th-century Armenian monk, to which Schnittke responded
with an immediacy that makes this a colourful and considerably more approachable
work than the later Penitential Psalms.
The Holst Singers bring to the music's often stunningly rich textures
not only their previous experience with Russian music, but also something
of the English choral tradition, which makes those not infrequent moments
that suggest the choral writing of, say, Howells or Bax, strike one the
more forcefully. In this they make a different case for the work from
the Danish and Russian choirs recorded on Chandos; the music can stand
many different approaches, and this is not only as convincing as any other
I have heard, but allows details of the scoring to come through in a unique
way. The technical skill of the Holst Singers is truly impressive; the
demands made on them by Schnittke's long-breathed lines are far from small,
and there is a complete sense of security and enjoyment from the highest
floating soprano to the lowest bass rumblings.
Neither Voices of Nature nor Minnesang aspire to the heights of the Concerto,
but they shed interesting light on Schnittke's stylistic changes. The
former is really a tiny tone poem, originally written for a film, pretty
but not much more; the latter is a substantial setting of Minnesinger
texts for 52 voices. It is also a mood picture, as the composer himself
said, but at 19 minutes it is a long one, and the material doesn't really
sustain interest for that long. It is the Concerto that provides the real
interest in this programme, and with a performance of this extraordinary
quality it should earn many new admirers.
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